The April/May issue of Nature Conservancy magazine takes readers to one of the most rugged and remote rivers in the American West, Utah’s Escalante River, where a coalition of volunteer groups is working to remove invasive trees.
Photographer Chris Crisman and his crew hiked more than a 10-mile round trip to the invasives removal site (with a pack horse to help carry camera equipment) to document the work on the ground.
But it was up in the sky where the expansive beauty of the Escalante River took shape.
Here, the photographer and his assistants describe capturing aerial photographs of the region with the help of LightHawk, an organization that provides volunteer pilots and planes to help conservation groups collect images and data.
In the fall of 2013 we spent a week in the Escalante, shooting stills and motion for Nature Conservancy.
Our goal was not only to document the people involved and their conservation efforts, but to bring the river itself to life, a prominent player in the cast of characters that make up this wildly remote and beautiful landscape.
We took to the skies to shoot aerial photography of southern Utah to capture visuals that would help show the changing landscape of the Escalante region as well as illustrate the problematic nature of the invasive species the folks on the ground are working so hard to eradicate.
Our pilot Will Worthington’s expertise was invaluable to our ability to capture these stunning landscapes. (In this photo, Will helps Chris plan the flight.)
Climbing towards 10,000 feet our jaws dropped a little bit. The change in perspective redefines your view of the landscape in a way that’s almost impossible to describe.
Little did we know that the best position for aerial photography was while the aircraft was in process of making sharply banked turns. We learned that pretty quickly. We also learned that the horizon became a very relative term—good thing we didn’t have much for breakfast that morning.
The results were absolutely worth it… Seeing the entire ecosystem from a birds-eye view was necessary to help us wrap our heads around the true size and scale of what we were shooting.
All photos ©Chris Crisman,
For more information on LightHawk’s work providing free flight services to conservation groups, visit its website.
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